Insert Blanc Press

The People: David Shook & Jason Kunke Ep. 3

 

The People: David Shook & Jason Kunke Ep. 3
Sunday, May 19 at 3 p.m.
1630 AM KCHUNG Listen Live
Join hosts Ben White and Mathew Timmons Sunday May 19 at 3 p.m. on 1630AM KCHUNG if you're in or around Chinatown Los Angeles or listen live on the KCHUNG webstream. The People will include guests David Shook & Jason Kunke in conversation about their recent projects and their forthcoming work with Insert Blanc Press. 
...

David Shook grew up in Mexico City before studying endangered languages in Oklahoma and poetry at Oxford. He has translated Roberto Bolaño’s Infrarealist manifesto, indigenous Mexican poetry from the Isthmus Zapotec, and oral poetry by the Burundian Batwa. A chapbook version of Oswald de Andrade’s Cannibal Manifesto is forthcoming from Manifestoh! (Insert Blanc Press) and his translation of Mario Bellatin’s Shiki Nagaoka: A Nose for Fiction is just out from Phoneme Media. He served as Translator in Residence at Britain’s Poetry Parnassus at The Southbank, in 2012. There he premiered Kilómetro Cero, his covertly shot documentary about Equatorial Guinean poet Marcelo Ensema Nsang. A member of American Literary Translators' Association and the National Book Critics' Circle, Shook has been nominated for a Pushcart Prize and his poems, translations and essays appear widely, in magazines like Ambit, Poetry, World Literature Today, where he is a Contributing Editor. He also edits Molossus and publishes Phoneme Books. His moustache is generously sponsored by Oregon Wild Hair Moustache Wax, the most literary moustache wax in the world. His first collection Our Obsidian Tongues, was recently launched by Eyewear Press.

 

Jason Kunke is a Los Angeles based artist whose practice includes sculpture, drawing, installation, video, and performance. His art examines how authority and aesthetics inform each other. He received his MFA from CalArts in 2007, and his BFA (with a minor in sociology) from University of Houston in 2004. He has exhibited nationally at Polvo in Chicago, Commerce Street Artist Warehouse in Houston, and 25CPW in New York. In Los Angeles he has exhibited at Sea and Space Explorations, LAXART, and Dan Graham. Along with five other artists, he co-runs Elephant, an artist run space in Glassel Park. He currently teaches at Los Angeles Valley College.
Jason Kunke Performance Interpretation for Exchange Rate 2008.
Page 13 of Horizon (zine by Jason Kunke), Photocopy on paper, 2011.
Page 14 of Horizon (zine by Jason Kunke), Photocopy on paper, 2011.
Dispersal Order
Dispersal Order, photocopy transfer on paper, edition of 20, 11” x 17”, 2011.
Crumpled Dispersal Order (2), lambda print, 48” x 33”, 2011.

Written by Mathew Timmons — May 16, 2013

The People: Katie Herzog & Andrew Choate Ep. 2

The People: Katie Herzog & Andrew Choate Ep. 2
Sunday, April 21 at 3 p.m.
1630 AM KCHUNG Listen Live
Join hosts Ben White and Mathew Timmons Sunday April 21 at 3 p.m. on 1630AM if you're in or around Chinatown Los Angeles or listen live on their webstream. The People will include guests Katie Herzog & Andrew Choate in conversation about their recent books on Insert Blanc Press. 

Katie Herzog: Object-Oriented Programming is a catalog of Herzog's recent exhibition at the Palo Alto Research Center (PARC, a Xerox Company) and includes essays by Amelia Acker and Andrew Choate in a large format, full color, hardbound edition of 116 pages. Including over 50 plates and 30 installation shots, Katie Herzog: Object-Oriented Programming collects Herzog's work from over the past decade or more in what was a single large scale exhibition from January 13. 2012 - March 30, 2012 and what now is an artist's book published very proudly by Insert Blanc Press in the Insert Blanc Monograph series. 
Besides writing an essay for Herzog's monograph, Andrew Choate's book Stingray Clapping, also from Insert Blanc Press, has been called "a lithe chapbook that guides the reader toward a space that precedes understanding through convention, toward the transmutation of facts at the level of the utterance" by Nancy Fumero in her review of the book for the Rumpus. Houston Donham, in his review at HTMLGIANT claims that, "At a time when so much poetry is almost singularly concerned with justifying itself, Stingray Clapping represents an attractive, empowering, and refreshing new alternative." 
We look forward to the conversation and hope you do too! We've put some things below by the artists for you to look at and listen to.
Katie Herzog received a Bachelor of Fine Arts at the Rhode Island School of Design in 2001 and a Master of Fine Arts at UC San Diego in 2005. She studied Library and Information Science at San Jose State University and currently serves as Director of the Molesworth Institute. Recent projects include a Dictionary of Textual Asylum in Basel, Switzerland, and a pop-up publishing platform for rejected research in the Quint Gallery restroom in La Jolla, CA.  

Andrew Choate was born and raised in South Carolina and studied music and literature at Northwestern University and the California Institute of the Arts. His first book, Langquage Makes Plastic of the Body, was published by Palm Press in 2006. He has been publishing his writings on music and art since 1998 and his work has appeared in UrbCodaWireSignal to Noise,Art Ltdd’Art International and Facsimile. His writing has been translated into Spanish, French, Hungarian and Czech. His radio plays and sound works have been broadcast on WDR in Germany, Radioarte Mobile in Italy, Hipersônica in Brazil, Resonance FM in England and various outlets in the US. His visual work has been exhibited at the Yerevan Center for Contemporary Art, the Torrance Art Museum, Barnsdall Art Park, High Energy Constructs and Overca$h.  He has given lectures at the Museum of Contemporary Art in Los Angeles ("Picturing Language"), CalArts ("Writing for Video Performance") and Hofer's Studio Roof ("I'm Turning Sideways In This Crowded Train So You Can More Easily Pass Me By").




C is for Cookie (PARC) by Katie Herzog
2011
acrylic on wool blanket
54 x 68 inches (unframed)




Mr. Watson Come Here I Need You by Katie Herzog
2011
acrylic and garnets on canvas
36 x 48 inches (unframed)
Cycling for Libraries Jersey: "Freedom From Information" by Katie Herzog
2011
fabric paint on polyester shirt
26.5 x 30.5 inches (framed)
from Stingray Clapping by Andrew Choate
Chapbook, 56 pages B&W
ISBN 13: 978-0-9814623-5-6
Dimensions: 6.5" x 4.75" x 0.25"




Boink Dimps by Andrew Choate




Home Depot Weapon by Andrew Choate




Ladycat Cadylac by Andrew Choate


 
Laser Pointers put the Demon in Demonstrate by Andrew Choate

Written by Mathew Timmons — March 27, 2013