A Cylindrical Object on Fire in the Dark and Independence Day Book Launch
Hosted by Insert Blanc Press
At Los Angeles Contemporary Archive (LACA)
709 N Hill Street Suite 104-8 (upstairs)
A Cylindrical Object on Fire in the Dark is a collection of short fiction exploring the elemental aspects of storytelling—from word to sentence to character to gesture to narrative. In the roughly two dozen works that make up the book, Myers is attentive to the operations of words: how it is that words collude into sentences, and sentences balloon into worlds. Of equal concern are the operations of people: how people use these words, whether to shape, accommodate, resist or deny the realities with which they contend; how they make sense of where they find themselves; in what erratic or desperate manner they strive; what they get right and where they go wrong.
Holly Myers is a writer and critic based in New Mexico. Her fiction has appeared in the Antioch Review, Zyzzyva and Joyland. Her art writing and criticism has appeared in the Los Angeles Times, the LA Weekly and Art Review, among other publications.
Independence Day presents a body of photographic work by Greg Curtis including a long poem by Kim Calder and an essay on photography by Ariel Evans
“An asteroid, volcano, tsunami or alien army draws near and the camera cuts away to pan across groups of people looking towards catastrophe. Intermittently montaged amidst the progressing apocalypse, each clip lasts for a few seconds. All peoples in the world—that is the movies’ extras—look up and expect to die; this is all the movie demands its audience to know. These extras work partly like an index finger: they direct us to look at something. They proceed to tell us how to look [unblinkingly] and how to feel [scared, adrenaline-charged]. Greg Curtis pulled stills from such fifteen-or-so-year-old disaster movies. His/
Greg Curtis' works in photography, video, and installation have been exhibited at Monte Vista Projects, Open House, Institute of Jamais Vu, Weekend, Cirrus Gallery, and Land of Tomorrow, among others. He has also organized exhibitions at Ms Barbers and Elephant. He received an MFA from California Institute of the Arts, and lives and works in Los Angeles.
Kim Calder studies post-1945 American literature and theory at the University of California, Los Angeles and is Editorial Director at Les Figues Press. Her work has appeared in The Believer, Jacket2, The Los Angeles Review of Books/Quarterly, and The Volta. She is currently working on two manuscripts: The Nervous System, an autotheoretical work, and her dissertation, which examines the centrality of indigeneity and indigenous cosmologies in contemporary American literatures of resistance.
Ariel Evans is a writer, curator, and editor as well as a PhD candidate in Art History at The University of Texas at Austin, where she specializes in the history of photography, feminist praxis, and post-war American art. She founded the publishing collective Pastelegram, and previously was the Assistant Editor for Art Lies magazine. Her writing has appeared in Art in America, caa.reviews, Modern Painters, Conflict of Interest, Art Lies, and Mimeo Mimeo.